As the son of a musician who has played in the Vancouver Symphony Orchestra for over 30 years, I couldn’t help plug this article from Wired. The future of classical music and the spaces in which we experience it may change forever because of an Uber-meets-travelling-symphony hybrid venture called Groupmuse:
Each Groupmuse consists of two 25-minute sets of instrumental music: the first set is always from the classics, and the second is up to the performers. “We’ve had Dvorak and then string quartet arrangements of Guns and Roses, we’ve had Chopin on the piano and then Brazilian choro music,” says Bodkin.
Professional musicians and those studying in conservatories can upload samples to a Groupmuse profile, which an internal team approves. Next, the Groupmuse team pairs performers with hosts who volunteer to host strangers and musicians in their home: a soloist for 10 people, a quartet for a house that can fit 50 listeners. Around 20 Groupmuse shows happen across the country every week, mostly in Boston, New York, Seattle and the Bay Area. Groupmuse suggests each attendee pays $10 for the show; musicians go home with an average of $160.
Added interest in the medium could provide financial stability for musicians and could provide opportunity for more interesting and substantial collaborations.